One of the greats things about the new studio is having walls again. It's been a long time since I've been able to unpack old paintings and look at them. This one is 5 of 5 Sky with Key arranged randomly. I painted it about 15 years ago. Back then I was really interested in the surface of polaroid film. I loved the way the rollers squished the dyes and emulsion onto the little card thing to make a photograph. The process was just amazing. This painting started as a polaroid of a cloud scape out of the window of my Best Studio Ever. In those days I would scan the Polaroid into the computer and break it up into smaller gridded parts. I'd adjust the color and balance in Photoshop and print the image. Those I would use to make the painting. 5 of 5 Sky uses 11" and 15" panels. I called the recognizable visual representation the True View (the name used in traditional Chinese screen paintings). I was curious when I hung it this time if there would be a sensation of sky and cloud if the image was unrecognizable. I like the twisting turning thing that's happening with the random arrangement, and I still get the feeling of some sky event. The bigger question at this time that I was thinking about was could a painter define a linguistics of landscape? Through color, space or something of the like. I mean do we know what the world and space looks like? The color tiles are the main hues used in the overall piece, that's the Key in the title. It's a pun on the key of a map and also the word 'key' as higher value pigments.
Monday, May 2, 2016
Old things
One of the greats things about the new studio is having walls again. It's been a long time since I've been able to unpack old paintings and look at them. This one is 5 of 5 Sky with Key arranged randomly. I painted it about 15 years ago. Back then I was really interested in the surface of polaroid film. I loved the way the rollers squished the dyes and emulsion onto the little card thing to make a photograph. The process was just amazing. This painting started as a polaroid of a cloud scape out of the window of my Best Studio Ever. In those days I would scan the Polaroid into the computer and break it up into smaller gridded parts. I'd adjust the color and balance in Photoshop and print the image. Those I would use to make the painting. 5 of 5 Sky uses 11" and 15" panels. I called the recognizable visual representation the True View (the name used in traditional Chinese screen paintings). I was curious when I hung it this time if there would be a sensation of sky and cloud if the image was unrecognizable. I like the twisting turning thing that's happening with the random arrangement, and I still get the feeling of some sky event. The bigger question at this time that I was thinking about was could a painter define a linguistics of landscape? Through color, space or something of the like. I mean do we know what the world and space looks like? The color tiles are the main hues used in the overall piece, that's the Key in the title. It's a pun on the key of a map and also the word 'key' as higher value pigments.
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